Fiction authors know the key to writing compelling fictional tales is developing characters who keep readers engrossed throughout its plot twists and turns, whether villain or hero. Such intriguing characters possess various levels of dichotomy, complexity, conflict, and inciting incidents like /h3xqzgxoc5q that keep readers riveted until the very end.
Dichotomy is an important literary device used to highlight different ideas or things and help readers better conceptualize them by placing them side by side.
Dilemmas of interesting character relationships can also help create tension within a story, as Romeo and Juliet demonstrate by using this tactic to portray old feuds between Capulets and Montagues that seem preposterously silly.
Dichotomies can be divided into two parts that may or may not be mutually exclusive or jointly exhaustive; when both parts cannot belong simultaneously.
The politics-administration dichotomy has long been an influential idea in public administration studies and practice. This dichotomy’s persistence can often be explained in terms of its utility for practitioners and academics alike.
Complexity is a state that describes the interactions among parts within a system. It includes nonlinearity, randomness, collective dynamics, hierarchy and emergence as characteristics.
There are multiple approaches to defining complexity. Two dimensions that characterize it are distinction and connection. The former measures how different parts have their own distinctive features yet depend on each other while the latter indicates how knowledge gained by one part may inform features in another part.
Kolmogorov complexity (sometimes known as descriptive complexity or algorithmic entropy) of a string in algorithmic information theory refers to its minimum binary program that can produce it; this serves as a useful way of estimating message length.
Conflict often forms the backbone of stories, whether that means internal struggles for an individual character or epic clashes among armies.
Zora Neale Hurston’s Their Eyes Were Watching God follows Janie as she navigates an internal struggle regarding her grandmother’s belief that women should only serve men. Over time she comes to see that relationships should involve someone who genuinely cares for them instead of simply needing their money as much.
Readers feel tremendous empathy when characters are facing intense inner turmoil; it becomes part of their experience and they want to help the protagonists win the war against it.
External conflict is more of an abstract issue that prevents characters from reaching their goals. This type of conflict usually involves elements beyond a character’s control – natural forces, government regulations, laws of society or corporations being examples.
The inciting incident is the first event that kick-starts your story and propels your protagonist into the plot. It typically causes disruption in their daily routine and compels them to reconsider their beliefs in regards to an enemy they didn’t even realize existed.
Your inciting incident must provide your hero with sufficient motivation to take action, while simultaneously being enough of a force that keeps readers engaged with the story. Furthermore, it should mark an unforgettable turning point that dramatically contrasts between old and new lives – setting a clear contrast between past and future events.
Your writing can shine when your reader feels as if they’ve been waiting for this moment since the start of your story. In fact, this can often serve as an effective opening scene in novels; just be careful with when and how you set it up!